Oftentimes dark, the performance was, as on record, a reflection of Aagre's warm, soft-spoken voice—fragile but, at times, capable of greater power, and a welcome, mature contrast to the younger singers that dominate the market. All too often the nervous energy of live performance means more physical energy, and what Year of the Bullet needed was to be as atmospheric, unhurried and calm as the recording. Aagre and Honoré accomplished this to perfection, for an afternoon performance that was like a soft oasis in the darkened Alfaroom.

– John Kelman, All About Jazz

Full review: http://www.allaboutjazz.com/php/article.php?id=42937&pg=6#13